PJA.jpg

PAJ

PAJ


Book Review: The Last Days of Mankind, by Karl Kraus, translated from the German by Fred Bridgham and Edward Timms. New Haven: Yale University Press, 2015; PAJ: A Journal of Performance and Art, 113 (2016)(MIT Press)
pdf of article here

A Requiem for Gotscheff, Müller, and Utopia
Theatertreffen 2014 at Haus der Berliner Festspiele and other venues in Berlin, May 2–18, 2014, PAJ: A Journal of Performance and Art, 109 (2015)(MIT Press)
pdf of article here

Tasteless, Crude, and Politically Progressive, PAJ: A Journal of Performance and Art, 108 (2014)(MIT Press)
pdf of article here

The Art of "Thaeter": How to Create Social Change While Entertaining, PAJ: A Journal of Performance and Art, 107 (2014)(MIT Press)
pdf of article here

Piscator in America: Judith Malina's The Piscator Notebooks, PAJ: A Journal of Performance and Art, PAJ: A Journal of Performance and Art,106 (2013)(MIT Press)
pdf of article here

Turning Theatre into Art
Pablo Helguera, Ohad Meromi, Xaviera Simmons, in conversation with Paul David Young, PAJ: A Journal of Performance and Art, PAJ: A Journal of Performance and Art,100 (2012)(MIT Press)

Newarttheatre: Evolutions of the Performance Aesthetic
John Kelly, Liz Magic Laser, David Levine, Alix Pearlstein, in conversation with Paul David Young, PAJ: A Journal of Performance and Art, 98 (2011)(MIT Press)

“Picnic Realism: The Use of Comedy in Serious German Theater,” PAJ: A Journal of Performance and Art, 95 (2010)(MIT Press)
pdf of article here

“Paranoid Futurism: Edward Bond’s Chair, directed by Robert Woodruff,” PAJ: A Journal of Performance and Art, 93 (2009)(MIT Press)
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”Technosurfing in Bloomsbury: Katie Mitchell’s The Waves, based on the novel by Virginia Woolf, directed by Katie Mitchell, video design by Leo Warner; produced by Lincoln Center, at The Duke on 42nd Street, November 12 – 22, 2008,” PAJ: A Journal of Performance and Art, 92 (2009)(MIT Press)
pdf of article here

“Performing the Novel: Elevator Repair Service Reads The Sound and the Fury by William Faulkner,” PAJ: A Journal of Performance and Art, 90 (2008), pp. 52-59 (MIT Press)
pdf of article here

 

Photo credit: tt14_p_zement_c_armin_smailovic_ZEMENT, by Heiner Müller
Regie: Dimiter Gotscheff
Theatertreffen 2014/Berliner Festspiele

Vorne Sebastian Blomberg (Gleb Tschumalow), hinten links Lukas Turtur (Sergej Iwagin), hinten rechts Genija Rykova (Polja Mechowa) und Chor (Schauspielstudierende der Otto-Falckenberg-Schule und der Bayerischen Theaterakademie August Everding)