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Hyperallergic

Hyperallergic


A Dance Crosses Borders, From the Congo to the Stars: Congolese choreographer Faustin Linyekula and American writer and director Annie Dorsen contemplate storytelling at the Crossing the Line Festival  
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Body in Mind: Live Performance in Prototype, Under the Radar, and American Realness, January 29, 2017
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Theater of Machines: Rimini Protokoll and CVRTAIN, January 21, 2017
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Conceptual Dance Lite: Jérome Bel's Elemental Choreographay, November 19, 2016
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Home Alone, With a Few Pills: Franz Xaver Kroetz's 'Request Concert,' November 5, 2016
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Downtown Tyrant: Romel Castellucci's Julius Caesar in New York, October 8, 2016
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Jill Kroesen’s Comeback: ‘Collecting Injustices, Unnecessary Suffering’ at the Whitney, August 6, 2016
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Camera Obscura: Jackie Sibblies Drury’s ‘Really,’ March 26, 2016
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Into the Heart of Darkness: Final Week of the Annual APAP Performance Festivals in New York, January 23, 2016
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Foucault Dancing and Future Tragedy: The APAP Performance Festivals in New York, January 17, 2016
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Performa 15: Rewarding Musical Turns, and Unused Real Estate, November 29, 2015
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Performa 15: Diversity, Latex Fetish Wear, and Puppets (Plus the Renaissance), November 21, 2015
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Queer Bodies, Obedience, and Aging in Crossing the Line Festival, October 17, 2015
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The Rehearsal’s the Thing: Anne Washburn’s ’10 out of 12,’ June 14, 2015
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Hicks Meet Slickers and a Mesopotamian Sage: Sybil Kempson’s ‘Let Us Now Praise Susan Sontag,’ May 16, 2015
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Bar Exam: Richard Maxwell’s ‘The Evening,’ March 21, 2015
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The Wild Wild Fests: New York’s Gathering of the Theatrical Tribes, February 7, 2015
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Not for Sale: Outside the Convention Center in Miami, December 6, 2014
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Child’s Play: 600 Highwaymen Perform Employee of the Year
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Wagner with Quotes on: Richard Maxwell’s ‘Isolde’, April 19, 2014
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Broadcast Muse: Liz Magic Laser’s Bystander, April 5, 2014
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Texting at the Whitney Biennial, March 15, 2014
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Rehearsing Tomorrow: Mallory Cattlet’s ‘This Was the End’, March 1, 2014
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